From Draft NOtices, October-December 2006
Directed and produced by Patricia Foulkrod, distributed by Focus Features.
—Mernie Aste
I teach courses about multicultural education at a university in Southern California. My class prepares teachers to instruct children from a wide variety of backgrounds, including those whose parents are in the Marines and Navy, refugees from war-torn areas, privileged groups, and immigrants. Some of their parents are between military deployments; some are disabled or deceased as a result of war. (An estimated 1,600 U.S. children have lost a parent to wars in Iraq and Afghanistan.) Some of the school-aged children themselves have memories of bombing, hacking, hiding, escaping, smuggling, and surviving. I do my best to prepare student teachers for the cultural variations and cognitive challenges that kindergarteners through twelfth-graders bring to Southern California classrooms.
Up to now my focus has been on ethnic and cultural realities, including class, disability, and LGBTQ (lesbian, gay, bisexual, transgendered, questioning). After screening the film “The Ground Truth,” I plan to add military culture and its impact on school-aged children and their families.
The film tracks the experiences of men and women who joined the military for a variety of reasons, including patriotism, tradition, to “be a man,” healthcare benefits, and/or lack of other employment or education opportunities. The film follows them through induction, basic training, deployment, injury, discharge and veteran status. The bait-and-switch tactics of military recruiters are emphasized. One individual in the film commented, “They don’t tell you the consequences,” citing the example of “seeing your friends killed.” While the recruiters emphasize the career opportunities of the military, one recruit says, “The purpose [of the training] is to kill. The purpose is to take life.” Another states that the military creates “a sustained state of mind to take a life when you are not enraged as a conditioned response.”






