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Bush Administration Uses Political Theater to Override Criticism of Iraq War
From Draft NOtices, March-April 2005
— Emily Roxworthy
Mainstream media outlets have long compared activist demonstrations to street theater, both as a way of emphasizing the decentralized, grass-roots, and live nature of activists' tactics and as a way of ridiculing activism as outdated, obnoxiously "in-your-face," and melodramatic. This portrayal was certainly clear in The San Diego Union-Tribune coverage of those San Diegans protesting Bush's January 20, 2005, presidential inauguration. The article began by stressing the rudimentary nature of the protesters' rally: "People banged pots and pans and waved banners and chanted and cheered, but none of that was in celebration," staff writer Michael Stetz wrote. Stetz went on to repeatedly stress the predictably "unhappy" attitude of the protesters and closed his piece with the reactions of passive bystanders to the protest: "One man was heard to say: 'Anybody tell them the '70s were, like, 30 years ago?'" and two tourists from Phoenix who "didn't mind the commotion" as they dined on sushi in the Gaslamp Quarter remarked, "It's like dinner theater." Likewise, a San Francisco Chronicle article, headlined "Whether Bush's fife and drums or San Francisco's howls, pageantry ruled on Inauguration Day," shuttled between the theatrical elements of inauguration spectacles in Washington and anti-inauguration rallies in San Francisco, suggesting that both sides are complicit in a cycle of representations and counter-representations that are "the way we conduct politics more and more in this country, a showdown of appearances and photo opportunities, planned spontaneity and 'authorized protests.'"
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